Films like Henri-Georges Clouzot's Inferno.
Henri-Georges Clouzot's Inferno (2009) reads as Neutral, measured, gentle documentary, surreal in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.
Keeps the bone-dry seriousness and the heightened unreality; trades toward a strange, dreamlike logic.
Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.
Keeps the patient, unhurried pace and the bone-dry seriousness; trades toward a stubborn streak of hope.
Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.
Keeps the patient, unhurried pace and the bone-dry seriousness; trades toward a cold, bleak undertow.
Keeps the bone-dry seriousness and the heightened unreality; trades toward a patient, unhurried pace.
Keeps the patient, unhurried pace and the bone-dry seriousness; trades toward a strange, dreamlike logic.
Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a grounded, familiar shape.
These are Henri-Georges Clouzot's Inferno’s neighbours — where are yours?
Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.
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