FilmsSátántangóLike this

Films like Sátántangó.

Sátántangó (1994) reads as Heavy, slow-burn, measured drama, inventive in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

In Vanda's Room (2000) (2000) poster
1. In Vanda's Room2000

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Damnation (1988) (1988) poster
2. Damnation1988

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Taurus (2001) poster
3. Taurus2001

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The River (1997) poster
4. The River1997

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a grounded, familiar shape.

Werckmeister Harmonies (2000) poster
5. Werckmeister Harmonies2000

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Werckmeister Harmonies (re-pass) (2000) poster
6. Werckmeister Harmonies (re-pass)2000

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Corridor (1995) poster
7. The Corridor1995

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Gerry (2002) (2002) poster
8. Gerry2002

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Seven Invisible Men (2005) poster
9. Seven Invisible Men2005

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Turin Horse (2011) poster
10. The Turin Horse2011

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Of Freaks and Men (1998) poster
11. Of Freaks and Men1998

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The River (Tsai Ming-liang) (1997) poster
12. The River (Tsai Ming-liang)1997

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

These are Sátántangó’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →