FilmsYesterday GirlLike this

Films like Yesterday Girl.

Yesterday Girl (1966) reads as Sombre, measured, gentle drama / german, surreal in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

I Am Curious (Yellow) (1967) poster
1. I Am Curious (Yellow)1967

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

Blow-Up (1966) poster
2. Blow-Up1966

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Garden of Delights (1970) poster
3. The Garden of Delights1970

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Part-Time Work of a Domestic Slave (1973) poster
4. The Part-Time Work of a Domestic Slave1973

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Two or Three Things I Know About Her (1967) poster
5. Two or Three Things I Know About Her1967

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a bone-dry seriousness.

Artists Under the Big Top: Perplexed (1968) poster
6. Artists Under the Big Top: Perplexed1968

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a heightened unreality.

The Mongols (1973) poster
7. The Mongols1973

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Draughtsman's Contract (1982) poster
8. The Draughtsman's Contract1982

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Pornographers (1966) poster
9. The Pornographers1966

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a intimate, personal stakes.

Le Pont du Nord (1981) poster
10. Le Pont du Nord1981

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

An Actor's Revenge (1963) poster
11. An Actor's Revenge1963

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Reason, Debate and a Story (1974) poster
12. Reason, Debate and a Story1974

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

These are Yesterday Girl’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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