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Locke (2013) poster

2013 · drama · minimalist · one-location

Locke

Directed by Steven Knight1h 25m2013

Ivan Locke has worked hard to craft a good life for himself. Tonight, that life will collapse around him. On the eve of the biggest challenge of his career, Ivan receives a phone call that sets in motion a series of events that will unravel his family, job, and soul.

Our read: Locke (2013) reads as a sombre, steady, grounded drama · minimalist · one-location entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook.

Locke counts for a challenge

Movie DNA

Sombre, steady, measured drama / minimalist, grounded in texture. Ambivalent, intimate, measured.

ElsewhereIMDb7.1167kRT91%Metacritic83TMDB6.93k
  • sombre
  • intense
Game · before you press play

Watching Locke tonight? Spin for your lens.

Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.

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Where the cast leads
DNA · twelve axes

How Locke feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want one-man-one-car integrity drama carried entirely by Tom Hardy.”

ends bittersweetit stays with yougrabs you earlygrips from the openattention 5/5breezes by
Date nightWith friendsSoloWith parentsKids around

Skip it tonight — You need visual variety and can't sit through eighty-five minutes of phone calls.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Locke, with why →

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