2014 · drama · thriller · music
Locke
Directed by Steven Knight1h 25m2014
Ivan Locke has worked hard to craft a good life for himself. Tonight, that life will collapse around him. On the eve of the biggest challenge of his career, Ivan receives a phone call that sets in motion a series of events that will unravel his family, job, and soul.
Our read: Locke (2014) reads as a neutral, steady, grounded drama · thriller · music entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook.
Neutral, steady, measured drama / thriller, grounded in texture. Ambivalent, intimate, measured.
Watching Locke tonight? Spin for your lens.
Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.
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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.
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How Locke feels to watch.
Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.
What watching it is actually like.
“You want one-man-one-car integrity drama carried entirely by Tom Hardy.”
Skip it tonight — You need visual variety and can't sit through eighty-five minutes of phone calls.
Eight films that feel like this one.
Closest in the twelve-axis space, not “people also liked”. All films like Locke, with why →
Discussion
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