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Our Children (2012) poster

2012 · drama · romance · music

Our Children

Directed by Joachim Lafosse1h 51m2012

Young and full of life, Murielle has a promising future ahead of her when she meets and falls head over heels for Mounir. A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father. As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.

Our read: Our Children (2012) reads as a heavy, measured, grounded drama · romance · music entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook.

Movie DNA

Heavy, measured, extreme drama / romance, grounded in texture. Nihilistic, intimate, cold.

ElsewhereRT93%
  • heavy
  • measured
  • extreme
  • bleak
  • cold
  • intimate
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Where the cast leads
DNA · twelve axes

How Our Children feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want an unflinching study of family control and how it can destroy.”

ends devastatingit will wreck youa slow buildgrips by minute 35attention 4/5earns its lengthsubtitles: full
Date nightWith friendsSoloWith parentsKids around
Heads-upchild perilsuicide theme

Skip it tonight — You cannot handle stories of infanticide or family tragedy even off-screen.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Our Children, with why →

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