The Mercy (2018) poster
2018 · drama · adventure

The Mercy

Directed by James Marsh1h 42m2018
ElsewhereIMDb6.010kRT73%Metacritic60
  • brisk
Movie DNA

Neutral, kinetic, measured drama / adventure, grounded in texture. Redemptive, mid-stakes, tender, hand-scored across twelve axes of taste.

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In 1968, Donald Crowhurst, an amateur sailor, endangers the fate of his family and business, and his own life, blinded by his ambition to compete in the Sunday Times Golden Globe Race, attempting to become the first person in history to single-handedly circumnavigate the world without making any stopover.

Our read · The Mercy (2018) reads as a neutral, kinetic, grounded drama · adventure entry — measured in intensity, mid-stakes in scope, tender in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The Mercy

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.

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