The Sorrow and the Pity
- heavy
- measured
- intense
Heavy, measured, measured documentary / french, grounded in texture. Nihilistic, mid-stakes, measured.
How every film is hand-scored →The story of the documentary The Sorrow and the Pity (1971), directed by Marcel Ophüls, which caused a scandal in a France still traumatized by the German occupation during World War II, because it shattered the myth, cultivated by the followers of President Charles de Gaulle (1890-1970), of a united France that had supposedly stood firm in the face of the ruthless invaders.
Our read · The Sorrow and the Pity (1969) reads as a heavy, measured, grounded documentary · french · war entry — measured in intensity, mid-stakes in scope, measured in temperature, nihilistic in outlook, with a strong directorial signature.
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The shape of The Sorrow and the Pity
What watching it is actually like.
“You want a groundbreaking documentary exposing French collaboration during WWII.”
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The reading.
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Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
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