Three Days of the Condor (1975) poster
1975 · thriller · spy

Three Days of the Condor

Directed by Sydney Pollack1h 57m1975
  • sombre
  • intense
  • twisty

When bookish CIA researcher Joe Turner finds all his co-workers dead, he, together with a woman he has kidnapped, must work together to outwit those responsible until he determines who he can really trust.

Our read · Three Days of the Condor (1975) reads as a sombre, kinetic, grounded thriller · spy entry — measured in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Three Days of the Condor

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.

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